Every screenplay needs an “inciting incident”
Be so compelling in how you reveal your inciting incident that there isn’t a reader in the world who is too jaded to appreciate your unique hook.
Be so compelling in how you reveal your inciting incident that there isn’t a reader in the world who is too jaded to appreciate your unique hook.
The vast majority of users don’t realize they’re already driving a Lamborghini, so they tend to treat it like a Prius.
To end with a bang means you must culminate your story in a way that leaves that single reader so utterly satisfied that s/he sits back, sighs, and immediately forwards the script with a STRONGLY RECOMMEND tag.
Maybe rethink your trope alarm clock or funeral opening. Those types of humdrum beginnings will invariably raise scornful eyebrows in seasoned readers.
The hook isn’t necessarily the inciting incident, but usually that’s what gives a script that je ne sais quois, unputdownable quality.
Shopping agreements are much more common in these financial times than options. A shopping agreement entails an agent or a producer or publisher with high interest in testing the financial waters with your script or novel. But not sufficient funds to commit to a full-on option or purchase.
If you’re a brand-new screenwriter, you might not yet know how a screenplay breaks down into parts.
It’s not surprising that screenwriters often confuse these terms. There doesn’t appear to be a definitive common understanding of these words in the screenwriting world.
A manager is like a professional parent – he or she will work with you, read your scripts and give you actionable notes, encourage and advise you and organize meetings.
When a script looks right, with the right amount of whitespace, professional readers get excited because there’s a small chance it could turn out to be a good read; a hidden gem.